What camera was used to film coraline
Though the doll may initially present itself as unremarkable, in reality, it serves as yet another tool of the Other Mother’s making, one used to manipulate Coraline.Īnother visual motif prevalent in the film is the key. Between the irrefutable resemblance it has to Coraline and how it practically lurks in the background, the doll maintains something of an eerie presence. Many scenes feature shots of the doll in various locations spying on Coraline as she explores in the foreground. The motif is representative of what the Other Mother intends Coraline to become – silent and conforming. Selick makes evident the peculiar nature of the claim and the doll itself by making the doll identical to Coraline – except for the buttons where its eyes should be.
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Wybie, the only other child that resides in the neighborhood, gives it to Coraline, claiming that he merely found it. The first notable motif the director introduces is the Coraline doll. Through an array of visual motifs, director of Coraline, Selick, delivers a cautionary tale encouraging viewers to relinquish envy and find contentment in their lives.Įarly on in the film, Selick presents viewers with props that evolve into visual motifs throughout the movie. The director adopts a similar strategy in his 2009 film Coraline, based on Neil Gaiman’s book of the same name. Selick demonstrates his influence and artistic control via stark color contrasts, similar themes, and dark cinematic concepts across each of his films, including James and the Giant Peach (1996) and The Nightmare Before Christmas (1993), among others.
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Director, Henry Selick, routinely utilizes stop motion to seamlessly relay critical themes and motifs while supporting his cinematic content.